ClothesRomantic-Women (~1820-1835)
This fashion plate from the September 1831 issue of The Royal Lady's Magazine demonstrates many of the the characteristic trends of the Romantic Era.
These include:
-a silhouette that is wide and top-heavy, especially when compared to the vertical columnal silhouette of the previous period.
-demi-gigot sleeves (full and balloon-like from shoulder to elbow and tight fitting elbow to wrist). Other popular large sleeve styles included the leg-of-mutton/gigot sleeve, the imbecile/idiot sleeve, and the Marie sleeve.
-a tiny, corsetted waist sitting a few inches above the natural waistline
-cone-shaped skirts created from gored (triangular shaped) panels. Hem widths gradually increase throughout the period. During the early years of the period fullness at the waist is minimal.
-Sleeves sit low on the shoulders and necklines are wide, baring the shoulders. Here the exposed neckline is concealed by decorated, coordinating pelerines (large removable collars) for proper day wear.
Romantic Era dresses were often described by either the time of day during which they were to be worn (ie. a morning or an evening dress) or the activity for which they were intended (ie. a promenade (walking) or a carriage dress). Very often the differences between the types of dresses is so subtle, it is difficult to distinguish the styles.
The following distinction can be made, however:
-Dresses for day wear are more conservative. They tended to have shorter hemlines, higher necklines, longer sleeves and were made of sturdy, sensible fabrics (ie. cotton and wool).
-Dresses for evening allowed more skin to show. They were generally floor length, have open exposed necklines, shorter sleeves, and were made of fancier fabrics (ie. satin, taffeta, moire).
| ||||
Thinking of how to do her hair? here is her hair tutorial: http://www.youtube.com/watch?v=E6jEHuyKAzg | ||||
| ||||
. | ||||
No comments:
Post a Comment